I saw Catch 22 last night at the Curio Theatre in Philadelphia. I read the book 50 years ago. This should explain any incoherence in my comments.
The setting is the European theatre of World War II. The characters are members of the Allied military stationed in Italy, and local residents they meet.
Joseph Heller, a WWII Air Force bombardier, published the book in 1962 and the theatrical adaptation in 1971. Catch 22 (either way) is black satire – funny but tragic. It deals with war as hell without actually showing the battlefield, while vividly showing the human toll.
The program note reads “This theatrical adaptation distills a non-linear 450-page book with over 60 characters…down to a mere 89 pages” with 35 characters. And it was performed with SIX actors! Character changes were signaled in many ways, not just through costume but through accents, posture, etc. All the skills of an accomplished actor. Casting ran across gender lines. (Is this becoming a norm?)
Catch 22 struck a chord with my generation as we wrestled with the Vietnam “conflict”, the first of our undeclared wars. World War II was fought by a military that relied on draftees, as was Vietnam. The difference is that we won World War II and lost in Vietnam, after which the United States shifted to an “all volunteer” military.
World War II is widely featured in fiction. I’ve read some post-Vietnam fiction, but only non-fiction from the more recent wars fought in the Middle East. Every war finds its way into literature.
Enough history for now! I was excited and impressed by the Curio Theatre Company. They perform in a renovated church in West Philadelphia, part of a localist movement that goes right down to the street level. (“Localism” is a word. I checked.) The Baltimore Avenue Business Association is a sponsor. The performance space is small and the audience sits on three sides of the stage. Lighting, sets and costumes are entirely professional. It’s an amazing accomplishment!
Catch 22 runs until May 19. You can see it! Tickets are available on line.