See my blog entry of July 13 for comments on the first of these books, My Brilliant Friend.
Ferrante’s Neapolitan novels comprise a tetralogy, or quartet. My only other experience with a literary quartet is the magnificent Raj Quartet by Paul Scott. The Raj Quartet has been described as “sprawling”. I would say panoramic. The Neapolitan novels are intensely focused on one woman’s life, and within it, one intense friendship.
I read the three books that followed My Brilliant Friend (1300+ pages total!) in a fast and furious binge that took less than a month. Just couldn’t stop!
The Story of a New Name is about gender and relationships. Normally I’m not charitable towards authors who provide an index of characters. Clear and thoughtful writing should render that crutch unnecessary. But I forgive Ferrante because the complexity of her books, with their multitude of characters, reflects “real” life.
Those Who Leave and Those Who Stay continues the lives of Elena (the narrator) and her best friend Lila, as does Book 4, The Story of the Lost Child. Farrante doesn’t back off from shocking plot twists. The story continues until Elena is past age 60 and Lila has, apparently intentionally, disappeared, dropped out of sight.
What is stranger than a disappearance? In my long life, this has happened twice – two people, not “closest friends” but more than acquaintances, have disappeared – one almost 40 years ago, the other about 15 years ago. I have no intention of writing about them, or of seeking further information. But I cannot help being fascinated by Ferrante’s literary take on this.
One reviewer describes the Neapolitan novels as an “education in being female”. I recommend them to men on that basis. Very likely you will learn a great deal. Ferrante (whoever she is) is an author for the ages.