Basic Books, 2018, 223 pages, with notes, bibliography and index.
When I was eight, I wanted ballet lessons, but my parents decided I should learn piano. I wasn’t very cooperative, but I kept at it for five years. Piano was supplemented by ten years in church and school choirs. I can’t imagine my life without that musical training!
Years later, I signed up for the beginning ballet class in an Adult Education program. Our teacher did us the wonderful favor of taking us seriously, teaching us carefully, and EXPLAINING ballet. Over time, our creaky stiffness gave way to increased strength, flexibility and body awareness. And we began to learn how to look at dance and dancers!
Celestial Bodies is a wonderful book! I found it quite by accident on the Library’s “recent arrivals” shelf, and I couldn’t put it down. Laura Jacobs is a dance critic who is in love with ballet at every level – musical, visual, historical… Early in the book, she discusses one of my fascinations, “pointe”, or dancing on the tips of the toes. Pointe is just for women. How do they DO it?? Why is it so interesting and pleasing?
Laura Jacobs approaches ballet from many angles, even discussing yoga as she details how a dancer uses the foot and positions the body. She specifically mentions the yoga posture called Warrior III and its relationship to “arabesque”.
Jacobs many references to specific ballets make me glad to live in the age of U-Tube. I will be able to look at the works and artists she lovingly describes.
This book is highly accessible despite the use of French terminology and dance jargon. Read and enjoy!