I’m such a sucker for romance! I picked up “Mr. Audubon’s Lucy” from the used book shelf at the Northwood Cape May Bird Observatory, a New Jersey Audubon Society Center located in Cape May Point (NJ). It is a fictionalized account of the courtship and first three decades of the marriage of Lucy and John James Audubon, told from the viewpoint of Lucy Bakewell Audubon. It covers events from 1800 to about 1830.
Lucy Audubon was a well educated English girl brought to Pennsylvania by her family. Audubon was a young Frenchman of uncertain origins, wealthy but spottily educated. Like Alexander Hamilton, he was born in the Caribbean. Audubon’s father returned to France a little before the Haitian revolution, which began in 1791.
At the time of their marriage, Lucy and Audubon intended to travel west and engage in trade. Kennedy describes in detail their journey, including river travel much earlier than described by Mark Twain. Wonderful to read!
Audubon was a wanderer and a dreamer and left Lucy and their two sons on their own for years at a time. In his biography, Chancellor asks whether she recognized and wanted to support Audubon’s unique genius, or if she was simply foolish. At this remove, we can only speculate. I am unreservedly impressed by Lucy’s success in supporting herself and her sons by teaching in wealthy households.
Chancellor’s biography of Audubon is a delight, because he provides extensive documentation, much of it visual – paintings by Audubon and others, letters and lists, photos of artifacts, woodcut prints…
Both these books are highly suitable for nature lovers and history buffs. Enjoy!
Copies of the elephant folio version “The Birds of America” by John James Audubon are very rare. The Library of the Academy of Natural Sciences in Philadelphia was a subscriber to the original edition of this mighty work. And you can see it whenever the Library is open, which is almost every working day!
I visited the Academy last week. At 3 pm, it was announced that the daily page turning was about to take place. The folio rests in a climate controlled cabinet. Each day at 3:15, it is opened and a Library employee wearing white gloves turns a page so a new print can be appreciated. To me, there’s something magical about a really old book, especially one that is in such lovely condition.
I was not the only spectator for the page turning. I chatted with another guest and also the employee who turned the page. He was not well informed about the bird revealed (a gallinule), being a historian rather than an ornithologist, but he willingly went on line to check when I asked him if the folio included a picture of the black vulture, the newest bird on my (non-existent) life list. Yes, Audubon painted my favorite scavenger.
Turning one page each working day means the entire collection of 435 prints can be viewed in about two years. Not more than 200 copies of the elephant folio were produced, and 119 can now be accounted for. Thirteen are in private hands. The value of a complete set is about $12,000,000, but they are seldom sold.
What makes this book so wonderful? There’s the artistry. The plates were produced by copper etching and aquatint, followed by hand application of water color. They are detailed and very beautiful. The birds look alive, although they were painted from skins and mounted specimens.
Audubon later produced smaller prints of the original works, and now, of course, all is available digitally on line. But there’s nothing quite like gazing at the old, fragile pages and enjoying their color and detail. Go and see this treasure! It is breathtaking.