Tag Archives: group dynamics

“Aurora” by Kim Stanley Robinson

K S Robinson writes a great survival/adventure story. I couldn’t stop reading. Aurora is a real page turner. But Aurora isn’t on my list of favorite science fiction/fantasy. Why?

The plot is weak. SO many good ideas from the first section of the book just evaporate. Gone – when their further development would have been so interesting. Who were the five ghosts, and how do we account for them on a space ship? How many travelers went “feral”? What could be done about the difficulty of deciding who could have a baby, and when?

On the other hand, “Aurora” contained some wonderfully mind blowing plot twists. One involved the “structured forgetting” of an event that had the potential to destroy a small group (2000 people) that could only survive through intense, consistent cooperation. I’m always interested in schism and schismatics, and the meaning of “the rule of law”. When a sophisticated computer develops self awareness and identity, and then announces its role as “sheriff”, I’m intrigued.

I was, early on, a little offended by the computer-develops-personality theme, regarding it as being stolen from 2001 A Space Odyssey. But did Arthur C Clarke really invent that? Who did? In Aurora, it works well, and I enjoyed it. Interestingly, the emerging computer/person was first called Pauline, but later merely addressed as “Ship”, not even consistently capitalized. “Ship” seems to have taken a step back from human relationships when it’s first “friend” died.

Like HAL (in 2001), “Ship” had to intervene to save the project (interplanetary travel), taking steps as radical an interfering with the 3D printers used to produce objects required for survival and lowering oxygen levels to suppress violence. “Ship” prevented disorder from growing into warfare, if the term can be used within a group of only 2000 people. “Ship” also took over entirely, easing its passengers into hibernation when food supplies failed, and carefully reawakening them later.

The characters are not as well developed as in the author’s highly amusing New York 2140. Freya, the closest to a protagonist aside from Ship, baffles me. She becomes a leader unintentionally, and a symbol of the prolonged mental and physical suffering of all the space travelers. Finally making it back to earth, she speaks out on behalf of “involuntary space travelers” like herself, people born into their difficult if not fatal roles due to decisions made by their ancestors. How is this different from being the child of an immigrant? Perhaps it is an issue of scale. An immigrant (theoretically) gains a “whole new world”. A person born on a multigenerational space flight faces a very, very restricted existence.

Robinson is a prolific author, with 19 books and many short stories published. I will sample further before I decide how I think his works will stand the test of time, whether any of them can be classified as “literature”.