Published 2015. 861 pages.
SPECULATIVE FICTION is a wonderful thing! I loved this book! I liked it even better than the author’s Anathem, which I wrote about just after I began this blog (see June 27, 2013).
Science fiction is one way to describe this book, but it could also be called “social science” fiction. In particular, “anthropology fiction”. Emergence of new cultures! The clash of world views and values! And the anthropologist’s dream, contact with long isolated human groups.
Plot wise, this is fiction about disaster and survival. The plot astonished me several times. Stephenson plays around with all manner of archetypes and myths, including the Fall of Eve.
I love to read a book that makes me feel the author really enjoyed writing it. Stephenson has a goofy sense of humor. How else do you explain a character named Sonar Taxlaw? (It does make sense in the context.) He goes ahead and parodies contemporary public figures. POTUS Julia Bliss Flaherty = Hilary Clinton. Probably many other characters would be recognizable to readers more sophisticated than I.
In some ways, two thirds of the book is the set-up. If so inclined, Stephenson could have stretched this out longer than Game of Thrones.
There’s lots of biology in Seveneves, some of it fairly improbable. For example, some humans are capable of “epigenetic shifts”, that is, a change in which of their genes are expressed. Breeding humans that can swim long distances undersea and humans with intentionally “neanderthal” characteristics also seem unlikely. But it’s fiction, so why not go wild.
Stephenson invented (but did not develop) an entirely new social science called “Amistics”. It’s the study of how societies decide whether or not to adopt available new technology – honoring our plain living neighbors in Pennsylvania.
When an author creates so many characters, I have to wonder if there’s one with which he identifies. I’m betting on Tyuratum Lake, the canny bartender who sees and knows ALL.
A friend raised the issue of whether this type of literature is socially unhealthy because it leads people to believe we can irresponsibly trash the earth and then leave for space. This argument has been around for decades – nothing new. We all need to be responsible about how we choose to live. And we all need some escape literature! So why dump this guilt trip on Neal Stephenson in particular?
I enjoyed this book so much I burned through it in a week. I recommend it to anyone with a taste for Sci Fi or fantasy.